Media Information
06
2022
-
07
A minute brief description of the development history of large bronze statues
Source:
2022-07-06 17:18
As we all know, our country has a history of more than 5000 years. In ancient times, large bronze statues appeared from a long time ago, and then with the continuous maturity of technology, large bronze statues became more and more common in cities. The traces of the development of history are also branded on the bronze statues on the streets.
As we all know, our country has a history of more than 5000 years. In ancient times, large bronze statues appeared from a long time ago, and then with the continuous maturity of technology, large bronze statues became more and more common in cities. The traces of the development of history are also branded on the bronze statues on the streets.
The first common large bronze statues in China were bronze carvings. Compared with the hard-to-preserve art of calligraphy and painting, tens of thousands of ancient bronze carving art relics provide us with a wealth of material information. We can find that the large bronze statues in the early ancient times were not integrated into the construction of the streets and lanes of the ancient city of the same era, and appeared more in the representative upper-class living places such as palaces. Among them, the scarcity of bronze raw materials and complicated smelting technology were the early large bronze statues. One of the reasons for the scarcity of large bronze statues, and then with the improvement of social productivity and the continuous development of copper smelting technology, large bronze statues have gradually integrated into people's lives, for us to carry more precious ancient history and culture.
According to the various styles of bronze sculptures in different eras, the history of large bronze statues can be traced back to the bronze sculptures of the Qin and Han dynasties, which is a wonderful chapter in the history of ancient art. Then there is the bronze sculpture art of the Wei, Jin, Southern and Northern Dynasties. The large bronze statues of this period have surpassed the form and god. The beautiful bones and elegant style are displayed to the fullest. The original magnificent and honest style has been transformed into a magnificent and natural and unrestrained aesthetic orientation. Then came the art of bronze carving in the Tang Dynasty. From a large number of one-inch Buddhist bronze sculptures in the Sui and Tang dynasties, it can be seen that the large bronze statues of this period carry more religious dissemination and carry forward the functional significance of Buddhism. Then there is the bronze carving art after the Song and Yuan Dynasties, which shows the tendency of secularization and more reflects people's daily life, but it still only appears in specific places and does not integrate into the streets.
It can be seen that the artistic tradition of large bronze statues has an obvious evolution process. As a result of the weak concept of the ancient city and civic awareness, bronze sculptures were almost never associated with urban construction. However, with the opening of the port in the late Qing Dynasty to modern times, the introduction of modern Western urban concepts, bronze sculpture art opened the journey of urban bronze sculpture, large bronze statues began to stand in the streets and alleys of the ancient East, and more and more sculpted monuments appeared to commemorate the history of resistance to colonial aggression. Nowadays, in modern society, the large bronze statues on the streets and lanes appear more in the form of artistic images or the function of displaying local characteristics.
Looking back over a hundred years, large bronze statues have sunk several times in this stormy century, becoming a special art category that can record both the history of modern art and the history of modern urban construction. Its rise and fall not only reflects the vicissitudes of China's modern construction and local art development, but also closely related to modern political life.
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